Showing posts with label Festivals. Show all posts
Showing posts with label Festivals. Show all posts

Wednesday, July 28, 2010

Art on the Green 2010 Schedule & Video Preview

The 2010 poster for this weekend's Art on the Green (left) clearly features a big ol' dog, yet at the bottom of the festival's official website is this warning: "No dogs are allowed at Art on the Green." Hey Art on the Green, what gives? That's like featuring a picture of an artsy old hippie, and posting "no artsy old hippies allowed". Not only is it discrimination against hippies and dogs, it also impossible. Like it or not, plenty of both are likely to be present in the huge crowds that take over the NIC campus annually.

Below is a schedule of the musical entertainment booked for the festival along with videos to help you decide who to miss or not to miss.


North Stage


Friday, July 30
12:00 Art Shop: Children's Art in Motion
3:15 San Francisco Scottish Fiddlers: Celtic
4:30 Ageless Jazz : Jazz
6:00 Mighty Squirrel: World Music String Band
7:30 Milonga: Salsa


Saturday, July 31
10:00 Wildwood Recorders: Baroque
11:00 Inland Northwest Dance Association
12:30 Coeur d'Alene Symphony
2:00 Coeurimba Marimbas
3:30 Big Red Barn: Funky Rhythm/Bluegrass
5:00 Swing Street: Jazz
6:00 Handful of Luvin': Folk Rock
7:30 Arte Flamenco Dance Theatre

Sunday, August 1
9:45 Lake City Playhouse
11:00 Coeur d'Alene Opera
12:30 Scott Kirby: Piano/Americana
2:00 Northwest Sacred Music Chorale: Gospel
3:30 The Clumsy Lovers: Celtic Rock

South Stage

Friday, July 30
2:00 Arvid Lundin & Deep Roots: Celtic Roots Music
3:30 Beth Pederson: Contemporary Singer Songwriter
5:00 Jamie Esler: Acoustic Guitar

Saturday, July 31
9:30 Ty Kovatch: Solo Guitarist
10:30 Swing Street Jazz
12:00 Kathy Colton & the Reluctants: Contemporary Singer Songwriter
1:30 San Francisco Scottish Fiddlers: Celtic
3:00 Coeur d'Alene Youth Orchestra
4:30 Mon Cheri: Contemporary/Pop
6:00 Blue Canoe: Folk Rock

Sunday, August 1
11:00 Johnny B & Margery: Retro/Americana
12:30 Smooth Tannins: Smooth Jazz
2:00 Handful of Luvin': Folk Rock

Videos:

San Francisco Scottish Fiddlers


Ageless Jazz Band


Mighty Squirrel


Milonga


Coeur d'Alene Symphony


Coeurimba


Handful of Luvin


Scott Kirby


Clumsy Lovers


Arvid Lundin


Mon Cheri:


Smooth Tannins

Sunday, August 30, 2009

Schweitzer Fall Fest

Schweitzer Fall Fest at Schweitzer Mountain Resort
10000 Schweitzer Mountain Rd.,
Sandpoint, 487-4643

Sat., Sept. 5 & Sun., Sept. 6

It seems like summer appeared and disappeared faster than a cold pint of ale on a Friday afternoon. We’re already less than a week away from Labor Day, and it’s all downhill after that. Soon trees will decide to dye their lush, green Manic Panic locks a more sensible auburn Lady Clairol but sadly, the over processing will ultimately leave them bald. Beaches will clear of all but the most hardcore sunbathers, ice cream trucks will begin their winter thaw, and a bountiful season of outdoor music will come to an end.

Schweitzer Mountain Ski Resort’s annual Fall Fest offers one more fair-weather opportunity to enjoy a free open-air concert and sample some of the region's most delectable microbrews and wines. Local big-name breweries such as MickDuff’s and Laughing Dog will be joined by several dozen other Northwest beer entities and a handful of vineyards under the tasting tents, where you can sample a bunch of booze and build up your glassware collection at the same time.

Here’s how it works. You purchase your choice of vessel and it comes with several tokens that can be traded for samples at the various vendors’ booths. For example, the beginner’s option, also the least expensive, is a 5 oz. tasting glass and 5 sampling tokens. At the top of the list is a 22 oz. limited edition stein with 3 tokens. You can choose from a variety of mugs, jugs and glasses and additional tokens are available for an extra couple of bucks each. There’s even soda tasting cups for the kids so they can feel included while mom and dad work on their buzz. Also included is an entry ballot for the “People’s Choice” competition, so out of fairness, you’ll have to sample each and every variety before you vote, that is if you can still make it to the ballot box at that point.

If by some miracle you still have some energy left at that point, Schweitzer has some great ways to spend it. A climbing wall, a bungee trampoline, and mountain biking are some of the more strenuous options. Personally, I’d rather take the opportunity to relax and browse the arts and crafts booths looking for leather goods and refrigerator magnets. I’m not actually brave enough to hop the chairlift and ride all the way to the top of the mountain for huckleberry picking, but it sounds like a good idea in theory. There’s also a massive BBQ that’s got to be worth investigating and most importantly, this year’s performers are so great, you’ll want to spend most of your time in front of the stage.

With a name most appropriate to the spirit of the festival, The Stout Pounders are a Celtic-folk quintet whose energetic shows are known to cause outbreaks of dancing and jigging among Guinness-soaked pub audiences in their hometown of Seattle. Their comedic, cartoonish take on traditional Irish and Scottish music almost approaches parody. Certainly any band that lists among their influences The Chieftains, Tenacious D and Iron Maiden promises an entertaining afternoon. Tellingly, their latest self-released CD is titled “Live Drunken Nights” and was recorded “over an extended St. Patrick’s Day holiday.” Pick up a copy when they open Saturday’s line-up at one o’clock.

Spokane’s Milonga take the stage at 3 p.m. with their hot “Pan-Latin” sound that turns even the manly men in the crowd into hip-shaking Shakiras. They blend the traditional dance music styles of Spain and Latin America with modern jazz and hip-hop, bringing to the table, as they describe it, “the whole enchilada, mixing cumbia, merengue, mambo, rumba, reggaeton, bomba, flamenco y cha cha cha in a delicious blend that's straight out of your abuelita's kitchen.” If that suddenly makes you want to head back to the food booths, too bad because the pull of Milonga’s multi-rhythmic trance will keep you stuck on the dancefloor.

Sunday morning brings more Celtic action with a performance by the Albeni Falls Pipes and Drums. Band founder Bill Prater and his massive gang of bagpipers and drummers take a more customary approach to the music of the highlands, seeking to keep the traditions of Celtic culture alive for future generations. Expect to see several dozen hairy men (and a few lovely ladies) in kilts, high boots, and funny little hats creating a proud, thunderous musical din that is likely to stir hearts and make small forest animals scurry down from the mountains.

The Ian McFeron Band makes a stop at Fall Fest to perform its jangly brand of folksy Americana Rock at 1 p.m. on Sunday. The Seattle band released its first CD release in 2003 and it was an instant local hit, drawing praise from Seattle Weekly and receiving mega-airplay on the popular alternative rock station the Mountain. McFeron’s songwriting is influenced by such ‘60’s greats as Paul Simon and Bob Dylan, and he includes among his contemporaries Tracy Chapman, Wilco, Ryan Adams and Lady GaGa. Okay, maybe not that last one. The additional touch of Alisa Milner’s woeful fiddle ensures that their sound seductively original.

Finally, wrapping up the festival at 3 p.m. is Adrian Xavier, Seattle’s “Crown Prince of Reggae.” Xavier has a massive Emerald City following and, as he so descriptively puts it on his MySpace, is a “Gypsy Reggae Soul Rock sound wave from the north lands taking the world by storm.” Songs like “Miracle” and “Mother Nature” exude a positive vibe and like all good reggae artists, Xavier speaks to the possibility of love, peace and harmony via social and political change. You might not want to concern yourself with such deep thoughts after a day of sampling beer and eating ribs, so just enjoy the sunset and let the music ease you gently from summer into fall.

Sunday, March 22, 2009

Universal Life Church Picnic, Farragut, July 1971

If You Can Remember It You Weren't There:
"Church Picnic" Introduces Sleepy North Idaho to Sex, Drugs & Rock-n-Roll

It’s often said that major cultural trends sometimes seem to take a few extra years before they’re absorbed into our beautiful but somewhat isolated cranny of the world. By and large, the flower-power counterculture revolution didn’t hit North Idaho until the scorching summer of 1971, several years after the Summer of Love brought long scraggly hair, LSD, and groovy color combinations like magenta, goldenrod and chartreuse to the forefront of America’s collective consciousness. When the movement finally arrived here, it landed with quite a bang in the form of a drug-saturated, free-love fueled “be-in” and rock festival staged during that year’s 4th of July weekend at Farragut State Park on Lake Pend Oreille. It’s an occasion that seems especially burned into the memories of everyone who lived in the area at the time; a watershed moment when sleepy North Idaho had its safety bubble irreparably ruptured and was forced to finally acknowledge that the times were indeed a-changin’.

In the aftermath of the event, billed by organizers as a “Universal Life Church Picnic”, an independent fact-finding committee was put together to clear up the foggy details surrounding what was viewed by many as an epic debacle, mishandled by all involved parties. They also published a 100 page book on the subject in 1972, which reads equally as dry and informative as it does delightfully torrid and juicy and inexplicably features a purple Joni Mitchell (who did not perform) on the cover. Committee head Stanley D. Crow leaves no stoner unturned in his detailed accounts of rampant nudity, open-air sex, and people completely off their heads on every kind of mind-altering substance known to man. He breaks the weekend down, delving into the before and after, the why, the how and the Who (who also did not perform).

It’s not too surprising to learn that the whole affair had its roots in Moscow, Idaho; a college town, it was a step or two ahead of the rest of the area hipness-wise, and the hot thing that year was a big Jesus revival amongst the hippie flocks. The scene was centered around the “Church of the Rock”, a small but intense group which met in the back room of Moscow’s Northwest Passage Trading Post. Not exactly a quaint chapel, the store where this church met was basically a head shop, making the bulk of its sales from records, bongs and roach clips, tie-dye clothing, organic foods, and pornographic comic books, a topic which Crow spends nearly two pages of his report examining in humorously lascivious detail.

This group first petitioned the state that spring for use of Farragut State Park under the name of Universal Life Church, the same church which is now infamous for ordaining into ministry anyone willing to fill out a web form and print a certificate. The usage request, indicating plans for a “church picnic attended by at least 200 people” sat ignored on someone’s desk until early June, merely a month beforehand. Once park agents and local police got wind of the event, it didn’t take long for them to clue in to the probability that it wasn’t going to be attended by just a few sweet church grannies. With visions of naked, drugged-out hippies dancing like whirling dervishes in their heads, local officials begged the state to deny the permit. Governor Andrus granted it anyway, saying that by law, a church had every right to gather on state land and that he had no reason to believe that the weekend was going to be anything other than perfectly kumbaya.

The front page headline of the July 3 edition of the Coeur d’Alene Press was the first indication that things might be getting rambunctious, announcing “Farragut Growing at Car-a-Minute Rate!” At that early stage, the crowd estimate was 10,000 and writer Don Smith reported that the crowd was abuzz with rumors of appearances by popular bands Iron Butterfly, Grand Funk Railroad and Santana. Smith concluded “no one seemed to know for sure what big name acts would appear.” Here lies the biggest mystery of the whole gathering; everyone present was apparently too high to recall any names of the performers and even Crow’s reports that “the Committee makes no finding with regard to music groups.” Despite the lofty names rumored, it’s most likely that only regional acts performed. Spokane’s then-popular “Jesus Rock” act Wilson-McKinley is a good guess, but only Seattle band Anthem can be fully confirmed as present. Some fondly refer to the festival as “Idaho’s Woodstock”, but it certainly wasn’t for the quality of the music.

Like Woodstock, the Farragut gathering, which various sources put between twenty and forty thousand people, was soaked in a haze of free love, good vibes, and mind-altering substances. The Lewiston Morning Tribune reported that “public nudity was so frequent that even the tourist eyebrows quit rising” and eye witnessed couples “making love in a crowd too busy doing its own thing to notice”. Crow’s report is ripe with amusing details, including the sighting of a man “advertising free love by means of balloons tied to his penis” and tales of “Mungo the Witch Doctor”, the nickname of the self-appointed resident drug guru, the guy to visit for everything from banana peels to mescaline and beyond. Police made a handful of arrests, but quickly realized that things were way beyond the realm of control and gave up.

Overall, things went off without a hitch, no one died and countless babies were conceived. Naturally, officials were convinced that the sole reason organizers planned the whole event was to bring the dirty drug trade into squeaky clean North Idaho. Contrarily, Farragut park director John Greig was delighted saying “As far as I’m concerned, they can have one of these every weekend, all summer. The picnickers left the park cleaner than the Boy Scouts did and we can really use all the money it collects at the entrance.”

It would actually be many moons before another Rock Festival would be allowed to take place in the mossy realm of Farragut State Park. In fact, it was only last August when the park agreed to host the Black Dog Festival, slightly ironic in that all the involved acts were tributes to bands that might have been rumored to have been there in 1971: Led-Zeppelin, Lynyrd Skynyrd and Pink Floyd. I’d imagine also that some of the original festival’s attendees were present 27 years later for that concert as well, albeit with quite a bit more clothing and perhaps without as much starry-eyed trippiness, at least the kind one gets from drugs.

(photos reproduced from CDA Press)