Bio:
"Formed in late 2009, Rockin' is this band's #1 goal, and their Guitar, Trumpet and Bass driven sound will make your foot want to tap right out of your shoe! Swingin' with Not Quite Punk is a style all it's own, influenced by greats such as: Django Reinhardt, Sublime, Stray Cats, Mad Sin, Rancid, Mad Caddies and more. The reminiscent yet unique and new sound of N.Q.P. is a mixture of Brian's swing & rockabilly influence, Paz's ska and jazz trumpet, Reese's shredding guitar solos and jazzy progressions, Troy's smooth bass lines, and Myles' booming swingin' drums. It is a sound that appeals to audiences of all ages.
After a little more than one year, Not Quite Punk slayed 70+ gigs in the Northwestern U.S. during 2010 expanding their fan-base through Washington, Idaho and Montana, and is now expecting release of their first studio album titled: “Hometown Heroes & Degenerates” due May 1st 2011. A very busy year has had them playing months of back-to-back shows, sold-out shows, and playing for big audiences including: Missoula Hempfest, 3 live on-air hour long sets on one of the nation's top AAA FM radio stations, Schweitzer Mountain Resort, Relay For Life, and Sandpoint City Beach Music Festival and many more. N.Q.P. has recently launched a new website, is currently working on a new music video and preparing for a Cd Release Tour in summer 2011."
Upcoming Shows:
September 3 at the Grail Venue, Coeur d'Alene, 7 pm
with Jesi B. & the All Rites, Icabod and RFB
Members:
Ghoul: Vocals/guitar
Jasin Gorgoth: Bass/backing vocals
Scott Hankins: Lead uitar/backing vocals
T-Bone: Drums
Reverbnation Bio:
"Ghoul is the founder of the DIY label Haunted House Productions and has become respected in the music community as a business-minded legend of the horror/punk/rock scene. A guru whose musical fame mostly stemmed from success as the singer/songwriter of the underground 90's horror/punk group "HUMAN MONSTER". A leader with a focused and structured musical direction, who is versatile vocal style and range has over the years been compared to by many as: "if DANZIG had a prodigal son, Ghoul be thy name"... having the mind-set of combining catchy rock/metal hooks w/ breathtaking vocal howls.
With an array of song writing ability that covers such genres as rock, metal, punk, horror, death, and rock-a-billy (to name a few), the group's focus will consistently and strictly produce music with a "do it yourself" mentality, sustaining thus another notch in this front mans belt, unveiling the heavier stoner/doom/garage sound that has become the focus and direction of this new super-group. With an all star line-up that was carefully hand selected by Ghoul himself, evil has a face and name and it's "Ghoul's Crypt".
Gorgoth was born, raised, bred and fed in the dark ages of the 1970's... Hailing from the dulcet desert lands of Arizona. Influenced and instilled at an early age by classic 70's rock groups such as Black Sabbath and Led Zeppelin. Joining as Ghoul’s full-time bassist in April of 2010, Jasin (Ghoul’s #1 comrade) has played a key role in helping write and form many diverse playing styles using thumb, finger and pick applications as needed during recording sessions within the walls of Ghoul’s garage. Gorgoth has undeniably enhanced Ghoul’s writing ability and has nourished the evil/melodic/gloomy style and tone that is rich in playability, which has brought the “heavier” edge that has become “the sound” of Ghoul’s Crypt."
Upcoming Show:
Saturday, Sept. 24 - Umatilla County Fairgrounds, Hermiston, OR
Influences: Everything But the Girl, Nina Simone, Joni Mitchell, Sarah MacLachlan, Alicia Keys, Tina Turner, Suzanne Vega, Sting, Les Nubiennes, Sade, Seal, Annie Lennox, Enya, Clannad, Pink Floyd, U2
About:
With a voice as warm and haunting as a June evening, Rose Robbins mesmerizes with poetic lyrics and tunes that stay with you long after the last note has died away.
Reminiscent of Sade, Robbins pens music that is throughly modern but with a vintage feel. She has won various awards for her music, including "Best Song of 2004" in the International Online Music Awards, and Top 500 in the Billboard World Song Contest three years in a row.
Press:
"When Rose Robbins walked out on the stage and sat down at the piano, the audience could be forgiven for wondering, just for a moment, what kind of music this slender, delicate-looking woman could produce? Then she began to sing and play with such maturity...and in a voice so stunningly rich and deep that I, for one, was quickly transported far away...." ~ Astoria Review - Peter March
"The last time a female vocalist smacked me this hard on first listen, her name was Baez, and it was back in the early sixties." ~ The Daily Pundit - Bill Quick
Get Out North Idaho Says: How in the heck did Miss Robbins manage to sneak under our radar for so long? The Sade comparisons are correct, this low-key local diva's voice is pure silk and honey and her jazz-pop arrangements are fetchingly easy on the ears without ever resorting to being cloying or cheesy. Despite her apparent youth, her voice drips with experience and her music production is airy and glistening with a professionalism that's glossy like a sweet, glazed strawberry. Delicious! Light electronics bubble underneath and even a dash of funk occasionally pops in to force toes to tap and heads to bop.
Discography: Close Your Eyes CD (2005)
Rain (Single, 2007)
Chase the Lonely (Single, 2010)
Sleepy Siren (Single, 2010)
Divide (Single, 2011)
All CD's/Downloads available through CD Baby here.
Coeur d'Alene's legendary Black Happy finally released their "Settin' Dogs on Fire" concert DVD last month and for the band's many fans, it was well worth the wait. The DVD was originally planned for release last winter, in time for Santa to stuff it in all the good kids' stockings, but for whatever reason, delays delayed it.
The film ended up making it's big screen debut at the Garland Theater in Spokane on June 18th with a celebratory release party that prompted one commenter on the band's page to say "Great release big-screen-version! Have to say, incredibly well-miked songs, it's better than any overdub would have been. I hope we see more of y'all 'real soon'."
Future Black Happy reunion plans remain a mystery (a while back I heard rumors about an unreleased song from the archives that was being resurrected and worked on), but in the meantime we have this sparkly document to keep us Pegheads occupied. The live section of the DVD features clips from all five 20th anniversary reunion shows that took place last August, and the footage captures the reinvigorated 8-piece sounding possibly even tighter and shinier than they did back in the olden days.
They might have lost quite a few feet of hair collectively, and the jumping around manically is kept to a minimum, but it's obvious that the months of rehearsal leading up to the shows paid off big time. These guys might be rapidly approaching middle age (sorry, guys - I know the feeling), and most of them dropped out of the professional music biz when Justin Bieber was still toddling around in his designer Huggies, but damn if they don't still know still know how to get a crowd of sweaty thirtyish and fortyish folks partying like it was 1992 all over again.
Personally, I'm fondest of the footage shot at the Knitting Factory in Spokane but that's most likely due to the fact that I was actually there in the audience watching the action happen real time. Try as I might, I can't spy myself in any of the crowd shots, but that's probably a good thing since I was a sweaty, dancing mess, as was the rest of the utterly bananas, mindblown sold-out crowd.
The audiences at the three sold-out Crocodile Cafe shows in Seattle are just as much chanting along and punishing the dancefloor as the Spokane crowds, a testament to how Black Happy's appeal never faded but grew in leaps and bounds. The "behind the scenes" clips of the band and their cohorts that the producers of the video, [NTH]Frame, slipped in between the concert clips add an enjoyable warmth to the proceedings, bringing home the fact that there was always an element of randomness and humor to the band.
"Settin' Dogs on Fire" also includes a twenty minute documentary about the Black Happy story from the beginning to the end (almost), featuring interviews with the band members and their various associates and supporters, as well as quite a bit of previously unseen and ultimately rare video clips of the band performing and in the studio. It's engrossing stuff for longtime fans to watch, with trombonist Jay Carkhuff and drummer Jim Bruce providing a lot of the raw facts and brothers Mark and Paul Hemenway (guitar and vocals) providing some comic relief with their "huh, what?" approach to the line of questioning.
The documentary does a smooth job of laying down the Black Happy saga, but a few details about the breakup of the band were omitted. Black Happy fans (and half the band) were confused as heck when, after performing all over the country and hitting some of the highest heights a Coeur d'Alene funk-pop-metal band would ever be expected to realistically hit, they suddenly broke up. Basically, according to legend, it was bye-bye horns, and hello to a leap on the "Seattle Sound" bandwagon.
I remember seeing a little blurb at the time in The Rocket (a much-loved, long gone Seattle music rag) that simply said that Black Happy was over and that a horn-less quartet called Shoveljerk (named after a key track on Black Happy's "Peghead" LP) was currently in the studio working on a new record and had signed to a national label, Capricorn Records.
When their album "Swarm" eventually emerged, it didn't exactly burn up the Billboard 200 chart, in fact it quickly made friends with the budget bin, despite their track "Killing My Buzz" having appeared on the soundtrack to the film "National Lampoon's Senior Trip". Listening to "Swarm" now, it's really not a terrible record, but in 1995 there were just too many dozens of other bands fighting a losing battle for entry into the post-grunge sweepstakes. To me at least, the final irony was that right after Black Happy ended, upbeat rock-funk-punk bands featuring horns like the Mighty Mighty Bosstones suddenly became the new hotness and Black Happy, who helped originate the sound, had missed the proverbial boat.
"Settin' Dogs on Fire" seems to purposefully gloss over the entire Shoveljerk part of the story, never actually mentioning the "S" word even once, and in the interviews, band members still seem a little bewildered and borderline regretful when the subject of the breakup is approached. The documentary ends on a somewhat melancholy note, but ultimately, there is a cheery ending to the story. Nearly 20 years after the band's demise, Black Happy had become local music legends and the ranks of their enthusiastic fan base had swollen.
So much so that fans rallied hard on Facebook and elsewhere, ultimately resulting in reissues of their albums and the sold-out Seattle and Spokane reunion concerts documented so colorfully and with love. Even if Black Happy never perform another note together, it's fantastic that their story was finally able to end on the highest of high notes, bringing a much needed sense of resolution to the fans, as well as the musicians themselves.
